Sabtu, 29 Maret 2014

[Y210.Ebook] Download PDF Gambling: Mapping the American Moral LandscapeFrom Brand: Baylor University Press

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Gambling: Mapping the American Moral LandscapeFrom Brand: Baylor University Press

Why has gambling become so accepted in the U.S. when other historical vices, like smoking and drinking, continue to evoke morality-based opposition? That simple but intriguing question guides this path-breaking volume, the first interdisciplinary academic study of gambling. Led by the renowned Alan Wolfe and with essays by experts at the country's premiere centers in public policy, clinical addiction, law, gaming, psychology, sociology, moral philosophy, theology, and the arts, Gambling: Mapping the American Moral Landscape is a tour de force of the booming cultural and moral phenomenon that has become woven into the fabric of American life. Both an attempt to understand and an effort to predict its future consequences, the book will prove evocative and critical reading for American civic and church leaders, activists, historians and government officials.

  • Sales Rank: #1962555 in Books
  • Brand: Brand: Baylor University Press
  • Published on: 2009-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.06" w x 6.48" l, 1.55 pounds
  • Binding: Paperback
  • 516 pages
Features
  • Used Book in Good Condition

Review
"Enhanced with copious notes, an extensive bibliography, and a comprehensive index, Gambling is a seminal work of impressive scholarship and a very strongly recommended addition to academic library Social Issues reference collections and supplemental reading lists."―Choice

"A vivid demonstration of how profoundly gambling intersects with politics, economics, culture, and even theology. I highly recommend it."―David G. Schwartz, Director, Center for Gaming Research, University of Nevada, Las Vegas

"An invaluable guide for understanding the roots of gambling in the American psyche and its implications for the future."―Keith S. Whyte, Executive Director, National Council on Problem Gambling

"A dramatic advance in scholarly consideration of this neglected phenomenon in American life. It brings together a brilliant interdisciplinary team."―David P. Gushee, Distinguished University Professor of Christian Ethics, President, Evangelicals for Human Rights, McAfee School of Theology, Mercer University

"Groundbreaking. Wolfe and Owens explain why gambling has been ignored in our national values debate―and consequences of the omission."―Melissa Rogers, Director, Center for Religion and Public Affairs, Wake Forest University Divinity School

From the Inside Flap

Additional Essayists:

Dwayne Eugene Carpenter is Professor of Hispanic Studies, Chair of the Department of Romance Languages and Literatures, and Co-Director of the Jewish Studies Program at Boston College.

Charles T. Clotfelter is Z. Smith Reynolds Professor of Public Policy Studies, Professor of Economics and Law, and Director of the Center for the Study of Philanthropy and Voluntarism of the Terry Sanford Institute of Public Policy at Duke University.

Philip J. Cook is ITT/Terry Sanford Distinguished Professor of Public Policy Studies, Professor of Economics, Professor of Sociology, and Associate Director of the Terry Sanford Institute of Public Policy at Duke University.

Rachel T.A. Croson holds a joint appointment as Professor of Economics in the School of Economics, Political and Policy Sciences and as Professor of Organizations, Strategy and International Management in the School of Management, both at the University of Texas at Dallas.

John Dombrink is Professor of Criminology, Law & Society at the University of California, Irvine.

Matthew Fox is an MBA student at the University of Nevada Reno. He is a founding director of Animal House Rescue and Elko County Habitat for Humanity.

William Galston is Senior Fellow in Governance Studies at the Brookings Institution and College Park Professor at the University of Maryland School of Public Policy.

John P. Hoffmann is Professor of Sociology at Brigham Young University.

T. J. Jackson Lears is Board of Governors Professor of History at Rutgers University and Editor-in-Chief of the Raritan Quarterly Review.

Steven Andrew Light is Associate Professor of Political Science and Public Administration and Co-Director of the Institute for the Study of Tribal Gaming Law and Policy at the University of North Dakota.

Richard McGowan, S.J., is Associate Professor of Operations and Strategic Management at Boston College and Research Associate at the Harvard Medical School Division on Addictions.

R. Shep Melnick is Thomas P. O Neill, Jr. Professor of American Politics at Boston College.

Michael Nelson is Professor of Political Science at Rhodes College in Memphis.

Marc Potenza is Associate Professor of Psychiatry (Division of Substance Abuse), Director of the Problem Gambling Clinic, Director of Neuroimaging for the VA MIRECC, and Director of the Women and Addictive Disorders Core of Women's Health Research at Yale University.

Kathryn R.L. Rand is Floyd B. Sperry Professor of Law and Associate Dean for Academic Affairs at the University of North Dakota School of Law, and is Co-Director of the Institute for the Study of Tribal Gaming Law and Policy.

David A. Skeel, Jr. is S. Samuel Arsht Professor of Corporate Law at University of Pennsylvania Law School. Skeel is an expert in bankruptcy and corporate labor law.

William Stuntz is Henry J. Friendly Professor of Law and Vice-Dean for Intellectual Life at Harvard Law School.

James Sundali is an Associate Professor of Managerial Sciences at the University of Nevada, Reno.

Kathryn Tanner is Dorothy Grant Maclear Professor of Theology at the University of Chicago Divinity School."

About the Author
Alan Wolfe is Professor of Political Science and Director of the Boisi Center for Religion and American Public Life, Boston College. A prolific and esteemed writer and speaker, Wolfe's books include The Future of Liberalism; Does American Democracy Still Work?; and Return to Greatness: How America Lost Its Sense of Purpose and What it Needs to Do to Recover It. He lives in Brookline, Massachusetts.

Erik C. Owens is Assistant Director of the Boisi Center for Religion and American Public Life and Adjunct Assistant Professor of Theology, Boston College. He lives in West Roxbury, Massachusetts.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A seminal work of impressive scholarship
By Midwest Book Review
Gambling can be traced to the very origins of human civilization. It is pervasive within all recorded cultures. So are the attempts to control it, regulate it, and even prohibit it. The opposition to gambling has as its roots religious or "morality" based arguments. One of the ironies of modern American life is that Utah, a state which absolutely bans all forms of gambling, leads the country in the volume of online gaming. Another irony is that the state of Nevada, and a number of formerly impoverished reservation-restricted Native American tribes, are able to achieve a significant measure of economic prosperity by the legalization of gambling and the construction of gambling casinos. In "Gambling: Mapping The American Moral Landscape", Alan Wolfe (Professor of Political Science and the Director of the Boisi Center for Religion and American Public Life, Boston College) and Erik C. Owens (Assistant Director of the Boisi Center for Religion and American Public Life and Adjunct Assistant Professor of Theology, Boston College) have expertly compiled a series of informed and informative essays by fellow academics and researchers on various aspects of the politics and policy of gambling; individual behavior and social impacts related to gambling; the interconnection of theology, gambling and risk; and the context of gambling within American culture today. Enhanced with copious notes, an extensive bibliography, and a comprehensive index, "Gambling" is a seminal work of impressive scholarship and a very strongly recommended addition to academic library Social Issues reference collections and supplemental reading lists.

See all 1 customer reviews...

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Sabtu, 22 Maret 2014

[S963.Ebook] Free Ebook It's A Magical World: A Calvin and Hobbes Collection, by Bill Watterson

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It's A Magical World: A Calvin and Hobbes Collection, by Bill Watterson

When cartoonist Bill Watterson announced that his phenomenally popular cartoon strip would be discontinued, Calvin and Hobbes fans throughout the world went into mourning. Fans have learned to survive -- despite the absence of the boy and his tiger in the daily newspaper. It's a Magical World delivers all the satisfaction of visiting its characters once more. Calvin fans will be able to see their favorite mischief maker stir it up with his furry friend, long-suffering parents, classmate Susie Derkins, school teacher Miss Wormwood, and Rosalyn the baby-sitter. It's a Magical World includes full-color Sundays and has it all: Calvin-turned-firefly waking Hobbes with his flashlight glow; courageous Spaceman Spiff rocketing through alien galaxies as he battles Dad-turned-Bug-Being; and Calvin's always inspired snowman art. There's no better way for Watterson fans to savor again the special qualities of their favorite strip.

  • Sales Rank: #16615 in Books
  • Color: White
  • Brand: Andrews McMeel Publishing
  • Published on: 1996-09-01
  • Released on: 1996-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .40" w x 9.00" l, 1.00 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Great product!

About the Author
Bill Watterson is the creator of Calvin and Hobbes, one of the most popular and well-regarded cartoon strips of the twentieth century. Calvin and Hobbes appeared in newspapers from November 1985 until Watterson's retirement in 1995.

Online:

gocomics.com/calvinandhobbes/

Most helpful customer reviews

0 of 0 people found the following review helpful.
I think his book of Sunday strips would work better for this
By Robin McIntyre
We have a Calvin and Hobbes themed bathroom and were hoping to frame some of the pages to put up on the wall. I think his book of Sunday strips would work better for this.

0 of 0 people found the following review helpful.
Hilarious!!!!!
By Reader
Its funny, imaginative and awesome! The characters he comes up with are just amazing! Its like he's actually brought his stuffed tiger alive!! Lawl!

0 of 0 people found the following review helpful.
Fun Reading!
By J. Inman
I would recommend this book to any who enjoy intelligent and whimsical humor. My favorite moments have always been Calvin's snowman creations.

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Kamis, 20 Maret 2014

[C601.Ebook] Download Ebook Calisthenics for Beginners: 50 Bodyweight Exercises for Beginners (Bodyweight Exercises, Calisthenics Routines, Calisthenics Workout, Calis

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Calisthenics experts break down every exercise into simple to follow steps. It's as easy as 1, 2, 3! Also included are precise recommendations for numbers of sets, reps and hold times for every exercise. It's like having a little personal trainer in your pocket!

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Tags: calisthenics, calisthenics for beginners, bodyweight exercises, calisthenics routines, calisthenics workout, calisthenics book

  • Sales Rank: #90742 in eBooks
  • Published on: 2015-10-24
  • Released on: 2015-10-24
  • Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great calisthenics guidance and a free workout program :)
By Tyler
I was a bit intimidated by calisthenics at first having seen some of the crazy stuff people do online but this book made over 50 exercises feel accessible to me as a complete beginner. Now that is not to say that they are all easy - lord no - but the way each one is explained in steps 1...2...3 etc. makes it impossible to get your technique wrong which is extremely important.

It starts off with the most basic stuff such as different forms of push-ups (which by the way I realised I was doing slightly wrong before reading about the proper technique) and then progresses to more complex stuff such as muscle-ups, dips, levers etc. This makes for a natural progression which is realistic and achievable for a beginner while still being challenging and effective.

I know this is a book for beginners but I honestly think there are enough exercises and variations to keep you going right into the intermediate stages here. I mean, how often do you go to the gym and do 50 different things in a day, or even a week or month!?

As well as all the exercises you also get lots of top tips and nuggets of wisdom from experienced practitioners. I recommend downloading the book to your smartphone / tablet too so you can have it handy in the gym or wherever you choose to work out.

Right now I am hitting the free training program included with the book hard and I ache in places I never even knew existed! Can't complain though. I am finally enjoying exercise again thanks to the variety and freedom calisthenics offers. This book has played a huge part in that as it is the only resource I was able to find which was created specifically for beginners.

Great book, great value.

4 of 4 people found the following review helpful.
5 Stars !!!
By Jane88
Excellent introduction to basic and intermediate level calisthenics. The book begins with an explanation of what calisthenics is / does and some fundamental advice on diet, preparation and warm-up which I would advise everyone to read.

Next up you drive straight into some exercises. What I love about this book is that they are laid out in a logical order so you can work through them and make progress as you become more comfortable with each. There is no stupidly advanced stuff which a beginner would find impossible to achieve and everything is broken down into body parts so you can really target whichever area you like.

There’s also a bonus in the back of the book, a free calisthenics for beginners training program. I printed it out and take it to the gym with me every time I go. My body hurts like hell but that just means I am doing it right! Having this book on my phone also enables me to ensure I am using the proper form during my workouts, kind of like having a personal trainer but at a fraction of the cost ;)

Would I recommend it? Absolutely. 50 exercises and tons of other useful advice all for less than the cost of a cup of coffee. Bargain.

3 of 3 people found the following review helpful.
Accessible and expert introduction
By JC
Deceptively short and simple, Calisthenics for Beginners in an accessible, expert introduction (or refresher) to bodyweight exercise. No photos but descriptions of the exercises are clear and succinct. The single-page Beginners Routine offered as a free download is a smart approach to developing real strength and progressing to more complex movements. While you're working on mastering this basic routine check out Complete Calisthenics by Ashley Kalym for a comprehensive and altogether helpful guide to successful bodyweight training.

See all 6 customer reviews...

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Kamis, 13 Maret 2014

[W610.Ebook] PDF Ebook Creeds of Christendom : 3 Volumes, by Philip Schaff

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Creeds of Christendom : 3 Volumes, by Philip Schaff

Philip Schaff, author of the standard 8 volume History Of The Christian Church, assembles all of the major Christian creedal statements from the early church to today. There is nothing in print as complete as Creeds Of Christendom.

  • Sales Rank: #271904 in Books
  • Published on: 1984-02-01
  • Original language: English
  • Number of items: 3
  • Dimensions: 6.55" h x 6.34" w x 9.36" l, 7.00 pounds
  • Binding: Hardcover
  • 2547 pages

Most helpful customer reviews

54 of 54 people found the following review helpful.
A Necessary Set for the Serious Christian Reader
By T. B. Vick
This is a must read for the serious Christian reader. Schaff has left no stone unturned in this compilation of historical Christian Creeds. In fact, since Schaff was the consummate Christian historian of the 19th century, he approaches this set in a very historical way. The set itself is organized via a certain time frame that Schaff apparently had in mind (unless the publishers altered this in later editions). Schaff begins by covering what a creed actually is, and why creeds were necessary. This is a very helpful section for his reader. From here Schaff covers all the creeds that have been written over the course of church history beginning with the ecumenical creeds (i.e. the Apostle's creed, Nicene creed, etc.). Schaff then covers the creeds of the Greek Church, the Roman Church, the Evangelical Protestant Church, The Evangelical Lutheran Church, the Evangelical Reformed Church (in all the countries that apply), the Modern Evangelical denominations (Congregational, Anabaptists, Calvinistic Baptists, Methodism, etc.). Each of these are covered in their own chapter and this is just volume 1 (WOW!). Volume 2 consists of the Scripture confessions , Ante-Nicene and Nicene Rules of Faith and Baptismal Creeds, greater detail and commentary on the Ecumenical, Greek, Roman, Russian, and Catholic Union Creeds. Volume 3 is more of what Schaff did not cover in volume 2, namely, the Evangelical Lutheran, Reformed, Modern Protestant, etc. Creeds. These are all covered in greater detail with commentary. Part four (of volume 3) is a modern (19th century for Schaff's day) look into the creeds that were being developed. Overall, this is a great set to own, and an invaluable reference tool that can be used many times over. Schaff was a wonderful historian and this work is among his best. Keep in mind though that Schaff was distinctively Protestant and this set will give you his Protestant opinion and assessment of the Roman Catholic Church. However, if you are wanting a powerful assessment of some of the problems that have troubled Protestants regarding Roman Catholicism, then you will get that in this set. I highly recommend this set as a great reference work.

21 of 22 people found the following review helpful.
Explanation of Content and praise of comprehensiveness
By David Noe (david-noe@uiowa.edu)
Philip Schaff, the acknowledged "father" of American church history, has brought together in one place nearly all the confessional statements from the history of Christian orthodoxy. This three volume set of over 2400 pages, with a helpful table of contents and extensive indices, is divided thusly: Vol I, The History of Creeds; Vol. II, the Greek and Latin Creeds; Vol. III, The Evangelical Protestant Creeds. Volumes II and III contain the Creeds in their original language (Greek, Latin, French, Duth, English), with an English translation en fas. This set is a must for every serious student of church history, and has endured for over a century because of its thoroughness, fine prose style, and impartial tone. Highly recommended.

14 of 15 people found the following review helpful.
illuminating and inspiring
By A Customer
I couldn't believe there existed so much information on this subject. I'm a student of the humanities and this is right up my alley. The inclusion of original documents in Greek and Latin have made this book a relic. One should feel gratified that through this book one can own a piece of history. I have read many books on history and I can assertively say this is one of the best. Imagine, why read a book on christian history when you can go straight to the source and discover for yourself. I thank goodness there are people who still care about publishing such important things.

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Rabu, 12 Maret 2014

[Y245.Ebook] Ebook Free Stravinsky and the Russian Traditions: A Biography of the Works through Mavra, Two-volume set, by Richard Taruskin

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Stravinsky and the Russian Traditions: A Biography of the Works through Mavra, Two-volume set, by Richard Taruskin

This book undoes 50 years of mythmaking about Stravinsky's life in music.

During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.

Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music.

Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.

Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

  • Sales Rank: #2060090 in Books
  • Published on: 1996-07-15
  • Original language: English
  • Number of items: 2
  • Dimensions: 10.00" h x 6.50" w x 7.00" l, 4.14 pounds
  • Binding: Hardcover
  • 1800 pages

Amazon.com Review
We are used to thinking of Stravinsky in terms of avant-garde Paris in the 1920s, the epitome of modernism. These two hefty volumes of unassailable scholarship and fascinating detail correct this blinkered vision, which to some extent is a product of Stravinsky's own self-marketing. Richard Taruskin demonstrates Stravinsky's place in the specific cultural traditions of his homeland, pulling together with impressive intellectual breadth the influences of Russian music, art, literature, folklore, religious liturgy, and more. He illustrates the composer's legacy from Rimsky-Korsakov, Glazunov, Scriabin, and Tchaikovsky in the pre-Diaghilev period, and dazzles with his analysis of folk influence in "Petrushka" and on through the famously innovative, yet rooted "The Rite of Spring." Further volumes will be eagerly awaited by all lovers of Stravinsky's music.

From Library Journal
Over the past 20 years, Taruskin (Musorgsky, LJ 1/93) has written some of the most provocative and revelatory articles on the music of Stravinsky, particularly from the early "Russian" period. It will come as a great joy, then, to scholars and amateurs alike to delve into this monumental work that, in two volumes, skillfully takes the reader into a fascinating world of Russian anthropology, folklore, and philosophy in search of the roots of Stravinsky's early styles. Drawing on his voluminous knowledge of Russian lore and on archival research materials only recently made available to Western scholars, Taruskin repeatedly and convincingly makes compelling connections between the culture?in the fullest sense?and the music. Volume 1 begins with an overview of Russian civilization at the time of the composer's birth and ends with a groundbreaking analysis of the Rite of Spring. In Volume 2, Taruskin approaches selected later works, including some in the so-called "neo-classical" period, with equal acumen and insight. For scholars who root their analyses in "context," this is a most heartening validation. Essential for all major music collections.?Larry Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1995 Reed Business Information, Inc.

From The New Yorker
"A monumental two-volume study."

Most helpful customer reviews

11 of 14 people found the following review helpful.
debunking the myth
By slightlykooky
Taruskin's 2 volume set into Stravinsky's "Russian" period is still the MOST comprehensive investigation for those wanting a more discernible picture of the gestation of works from that period, including the Firebird, Petrushka, the Rite and Les Noces. For example Taruskin compares wedding laments used by Russian brides with those found in the opening of Les Noces. This link becomes significant when one is trying to resolve how much Stravinsky knew about his Russian heritage during the composition of these works. In his conversation books with Robert Craft, several inconsistencies emerge as to the influence of Russian music on Stravinsky's own music. For an interesting read, check out Taruskin's article, "Stravinsky and the traditions: Why the memory hole?" in Opus Magazine 1987. Getting back to the books, of particular significance is a "thematic" catalog of folk materials in which Taruskin attempts to reconstruct the origins of Stravinsky's Russian masterpieces.
I did not give the book 5 stars because I reserve that for the rarest of rarities which are reserved for books/movies/cds which provoke thought in the most unexpected of ways and are unlike anything else like the movie "Being John Malkovich". Another insightful and recent book on early Stravinsky (purely biographical) is Stephen Walsh's "Stravinsky : A Creative Spring : Russia and France, 1882-1934".

12 of 13 people found the following review helpful.
Essential reading
By Bernard Hughes
This is an extraordinary book which will re-define Stravinsky scholarship. It is by far the best book published on Stravinsky, with perhaps one exception (The Apollonian Clockwork by Andriessen and Schoenberger). Taruskin's scholarship is of the highest quality, his knowledge of Russian music awe-inspiring, and the revelations he uncovers simply by being a Russian-speaker investigating the sources first-hand make this book a watershed in the way we think about Stravinsky. This book only takes the story to 1923 - I can only hope Mr Taruskin is working on the next volume as I write.

8 of 13 people found the following review helpful.
On shaky ground
By MG
"The Rite of Spring" is a work of a Russian composer on a Russian sujet. But that a serious musicologist tries to tell me that, due to a few vague allusions to traditional folk tunes, it is a pure product of the Russian musical tradition. Please!

No doubt, it is work of genius, a great dark musical vision, but, conceding that in its spirit it is a "authentic" Russian composition, in its composing strategies it owes Debussy and Ravel much more than any Russian composer.

Frankly, I don't understand why Taruskin tries so hard to hide this vital influence on Stravinsky in this book. Though Stravinsky emancipated from these influences in later years, the impact on his early ballet music was tremendous. And Stravinsky was the last one to deny it.

Surely it is worth to discuss the influences in detail, since there are a lot of interferences. Debussy and Ravel themselves were strongly influenced by Russian composers like Mussorgsky and Borodin.

But to blind this part out of the composer biography is just not possible if you want to give a comprehensive picture. The plenty musical examples that Taruskin offers documenting the sources of Stravinsky's compositions are too selective in this respect. It might though be admitted that the impressionistic influences are harder to describe since they refer less to thematic references but much more to matters of technique. There would have been a great opportunity in these extensive volumes to look at all this in detail. Instead of this Taruskin simplifies things or makes awkward derivations. The bitonal Petrouschka chord-combination c major/f-sharp major for example happens to be already accidentally in Wagners "Siegfried" and happens even literally in the cadenza-like part of Ravel's "Jeux d'eau" where Stravinky most likely took his inspiration from. It's just strange and exerted to derive it from Rimsky's system of "octatonic" chord-combinations. Apropos "octatonic", even to claim this system, that Rimsky theoretically fixated for his teaching, as a Russian specific is strange enough, since it is well known that those harmonic influences came to Russian music through Berlioz, Liszt and especially Wagner.

Despite this serious objections, Taruskin deserves a lot of praise for his great research. I never read such a brilliant report about the history of Russian music between Glinka and Stravinsky and the circle around Diaghilev with all its paradoxes.

An enormously interesting book despite the fact that its main thesis, i.e. that Stravinsky is rooted mainly in the Russian tradition, stays on very shaky ground.

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Selasa, 04 Maret 2014

[N495.Ebook] Get Free Ebook One Giant Leap, by Robert Burleigh

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One Giant Leap, by Robert Burleigh

The words are instantly recognizable: ?That?s one small step for man; one giant leap for mankind.? Spoken by Neil Armstrong moments after he became the fi rst human being to set foot on the moon, they have come to represent all that is possible when man?s determination to achieve the seemingly impossible results in success.

To commemorate the 40th anniversary of this extraordinary moment in human history, Robert Burleigh and Mike Wimmer have created a breathtakingly beautiful tribute that transports readers to the stars, where they will experience the moon landing just as Neil Armstrong and Buzz Aldrin did.

  • Sales Rank: #391016 in Books
  • Brand: Philomel
  • Published on: 2009-04-02
  • Released on: 2009-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.30" h x .40" w x 10.30" l, 1.05 pounds
  • Binding: Hardcover
  • 40 pages

From Booklist
For young readers fascinated with the real history of space travel, this simple, clear, and attractively illustrated book is a great place to begin. Using two-page spreads that are half text, half image, the story of July 20, 1969, and the moon landing of Neil Armstrong and Buzz Aldrin is related in short sentences that tread the line between informational (details of the Eagle include “Its outer walls thinner than human skin”) and poetic (the moon’s surface is described as “like a battlefield from some ancient war”). The landing is tense, the frolicking on the moon amusing, but most welcome is the realistic portrayal of the exhaustion and trepidation that occur after the moon walk is finished. The feathery, impressionistic paintings alternate between hues of blue (the moon) and green (the cockpit) and utilize unusual high or low perspectives to accentuate the drama. The only thing missing is historical context, and Burleigh’s author’s note takes care of that quite nicely. Grades 1-3. --Daniel Kraus

Review
"The sense of immediacy is irresistible and will cause children who consider the event just ancient history to feel as if they too had left footprints on that distant, dusty surface."
—School Library Journal

About the Author
Robert Burleigh lives in Chicago, Illinois. Mike Wimmer lives in Norman, Oklahoma.

Most helpful customer reviews

7 of 8 people found the following review helpful.
The surreal quality of this book brings the moon landing back to life!
By Deb
The lunar module, Eagle, separated from the Columbia and began its descent to the moon. Neil Armstrong and Buzz Aldrin looked down at the moon with amazement. "Its billion-year-old landscape [was] cracked and scarred. Its surface gouged and cratered and pitted with many holes." It was an adventure the world's eyes were riveted on, one they would never forget. It was July 20, 1969 and they were about to touch down on the surface of the moon. It was touch and go, but they made it!

Buzz and Neil got into their "moon cocoons" and prepared to go outside, while Michael Collins, who, was still orbiting the moon, listened closely. Neil stepped onto the surface of the moon and spoke to the millions watching and listening, "that's one small step for man-one giant leap for mankind." It was an amazing technological feat that got them there. They collected rocks to take back to the scientists and later said, when they were inside the module, the moon smell was "like spent cap pistols." It would be a risky venture, one of no return if they could not dock back up with the Columbia. How were they going to do this when they were going more than 3,000 miles an hour?

This was a wonderful tribute to the astronauts and their part in one of the most momentous events in history. The paintings are stunning and their slightly surreal quality meshes perfectly with the event. With advanced technology practically at the fingertips of the young today, it is often difficult to impart the excitement of a moon landing, but there is just the right amount of tension in this story to do just that!

4 of 4 people found the following review helpful.
Well done!
By Amazon Customer
This is an engaging, lovely illustrated book ...especially if you're needing a story geared for both genders. Some of the best stories are more engaging for the girls, this seems to be great for boys. It is geared for the older child. The text portions, accurate and historic are a little dry to entertain the pre-K crowd....and that IS afterall how it's written. But it is a super book for the story of the magnificent Armstrong/Aldrin feat! A wonderful segway: "you CAN do anything" if you really, really, really work hard at it!

5 of 6 people found the following review helpful.
Children choose this book again and again!
By Anna
I know a good book when it is chosen repeatedly by the same children over and over. That is what makes it a wise purchase too! The illustrations are fabulous and the faces and expressions of the astronauts give the children a personal introduction to the first men on the moon. They are friends to know and remember in this book!

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