Kamis, 25 Desember 2014

[V448.Ebook] Ebook Download An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S

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An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S

An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S



An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S

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An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S

An Invisible Thread tells of the life-long friendship between a busy sales executive and a disadvantaged young boy, and how both of their lives were changed by what began as one small gesture of kindness.

When Laura Schroff brushed by a young panhandler on a New York City corner one rainy afternoon, something made her stop and turn back. She took the boy to lunch at the McDonald’s across the street that day. And she continued to go back, again and again for the next four years until both their lives had changed dramatically. Nearly thirty years later, that young boy, Maurice, is married and has his own family. Now he works to change the lives of disadvantaged kids, just like the boy he used to be.
     An Invisible Thread is the true story of the bond between a harried sales executive and an eleven-year-old boy who seemed destined for a life of poverty. It is the heartwarming story of a friendship that has spanned three decades and brought meaning to an over-scheduled professional and hope to a hungry and desperate boy living on the streets.

  • Sales Rank: #12939 in eBooks
  • Published on: 2011-11-01
  • Released on: 2011-11-01
  • Format: Kindle eBook

Unknown
"I thought I knew what An Invisible Thread was going to be. I thought it would be a simple and hopeful story about a woman who saved a boy. I was wrong. It's a complex and unswervingly honest story about a woman and a boy who saved each other. By its raw honesty and lack of excess sentimentality, it is even more inspirational. This is a book capable of restoring our faith in each other and in the very idea that maybe everything is going to be okay after all." (Catherine Ryan Hyde, author of Pay It Forward and Jumpstart the World )

"An Invisible Thread—a remarkable story, told so beautifully and honestly—shows us what's possible when we are not afraid to connect with another human being and tap into our compassion. It is a story about the power each of us has to elevate someone else's life and how our own life is enriched in the process. This special book reminds us that damaging cycles can be broken and not to neglect the humanity of the strangers we brush up against every day." (Chris Gardner, bestselling author of The Pursuit of Happyness and Start Where You Are )

"A straightforward tale of kindness and paying it forward in 1980s New York . . . For readers seeking an uplifting reminder that small gestures matter." (Kirkus Reviews)

"According to an old Chinese proverb, there's an invisible thread that connects two people who are destined to meet and influence each other's lives. . . . As Schroff relates Maurice's story, she tells of her own father's alcoholism and abuse, and readers see how desperately these two need each other in this feel-good story about the far-reaching benefits of kindness." (Publishers Weekly)

"An Invisible Thread is like The Blind Side, but instead of football, it’s food. These are two people who were brought together by one simple meal, and it literally changed the course of both of their lives. This is a must-read . . . you can read it in a day because it’s impossible to put down. If you read it and find it as moving as I did, pay it forward: buy a copy and give it to a friend.” (Rachael Ray, host of The Rachael Ray Show )

“This book is a game-changer . . . each chapter touches your heart. An Invisible Thread is a gift to us all. America needs this book now more than ever.” (Coach Ron Tunick, national radio show host, The Business of Life )

“An incredible story . . . I would encourage everyone to pick up this book.” (Clayton Morris, host, Fox and Friends )

"If you have a beating heart—or if you fear you’re suffering a hardening of the emotional arteries—you really ought to commit to this book at the earliest possible opportunity . . . read this book. And pass it on. And encourage the next reader to do the same.” (Jesse Kornbluth Huffington Post)

"This is one of the most touching and refreshing and inspiring stories I have read in a long time. If you had made this story up, I wouldn’t have believed it, but it’s true. We all need something to inspire us, and I promise you, this book will make you want to stand up and do something nice for people. What a wonderful and needed story for all of us. An Invisible Thread is fantastic." (Mike Huckabee, Former Governor of Arkansas, Host of Fox News; Huckabee Show )

"A single moment of obedience by an ordinary person started a wonderful relationship and a better life for a poor street child. Maurice started to dream, because Laura showed him compassion and kindness. This is exactly what Jesus is asking his followers to do today in a broken world. An Invisible Thread is an example for each and every one of us, not only in South Africa but in every other country. This book can and will change the world." (Dr. Johan Smith, Pastor of Moreleta Church in Pretoria, South Africa )

Review
"I thought I knew what An Invisible Thread was going to be. I thought it would be a simple and hopeful story about a woman who saved a boy. I was wrong. It's a complex and unswervingly honest story about a woman and a boy who saved each other. By its raw honesty and lack of excess sentimentality, it is even more inspirational. This is a book capable of restoring our faith in each other and in the very idea that maybe everything is going to be okay after all."

—Catherine Ryan Hyde, author of Pay It Forward and Jumpstart the World

"An Invisible Thread—a remarkable story, told so beautifully and honestly—shows us what's possible when we are not afraid to connect with another human being and tap into our compassion. It is a story about the power each of us has to elevate someone else's life and how our own life is enriched in the process. This special book reminds us that damaging cycles can be broken and not to neglect the humanity of the strangers we brush up against every day."

—Chris Gardner, bestselling author of The Pursuit of Happyness and Start Where You Are

"A straightforward tale of kindness and paying it forward in 1980s New York . . . For readers seeking an uplifting reminder that small gestures matter."

—Kirkus Reviews

"According to an old Chinese proverb, there's an invisible thread that connects two people who are destined to meet and influence each other's lives. . . . As Schroff relates Maurice's story, she tells of her own father's alcoholism and abuse, and readers see how desperately these two need each other in this feel-good story about the far-reaching benefits of kindness."

—Publishers Weekly

"An Invisible Thread is like The Blind Side, but instead of football, it’s food. These are two people who were brought together by one simple meal, and it literally changed the course of both of their lives. This is a must-read . . . you can read it in a day because it’s impossible to put down. If you read it and find it as moving as I did, pay it forward: buy a copy and give it to a friend.”

—Rachael Ray, host of The Rachael Ray Show

"When advertising executive Laura Schroff was approached by 11-year-old panhandler Maurice, at first, she ignored him: 'His words were part of the clatter, like a car horn or someone yelling for a cab. They were, you could say, just noise—the kind of nuisance New Yorkers learn to tune out.' A moment later, when she came to, she returned and invited her new acquaintance to lunch at McDonald's, the beginning of a human connection that would change both their lives. An Invisible Thread picks up the progress of two very different people with strangely parallel stories of 'complicated pasts and fragile dreams.' Uplifting, without an ounce of pretension."

—BarnesandNoble.com

“This book is a game-changer . . . each chapter touches your heart. An Invisible Thread is a gift to us all. America needs this book now more than ever.”

—“Coach” Ron Tunick, national radio show host, “The Business of Life”

“An incredible story . . . I would encourage everyone to pick up this book.”

—Clayton Morris, host, Fox & Friends

About the Author

Laura Schroff

Laura Schroff is a former advertising executive who has helped launch three of the most successful start-ups in Time Inc. history—InStyle, Teen People, and People StyleWatch. Schroff has also worked as the New York Division Manager at People magazine and as Associate Publisher at Brides magazine. She lives in New York City.

Alex Tresniowski

Alex Tresniowski is a former human-interest writer at People and the bestselling author of several books, most notably The Vendetta, which was purchased by Universal Studios and used as a basis for the movie Public Enemies. His other titles include An Invisible Thread, Waking Up In Heaven, and The Light Between Us.

Most helpful customer reviews

273 of 283 people found the following review helpful.
Wonderful
By Silver's Reviews
Maurice had never met anyone like Laura and Laura had never met anyone like Maurice. They were from two different worlds. Laura doesn't know why she stopped and turned back after Maurice asked her for some money, but she is glad she did.

Through Maurice, Laura learned about the life he and thousands of others were living on a daily basis....not a pleasant life at all. Laura was helping Maurice to live a better life at least one day a week, and it seemed to be paying off since she could see a change in him even though he had to go back to his horrible living conditions after he left her.

As well as learning about the living conditions of others, the author also gave the reader a chance to find out that her childhood/family life was not very easy.....her father was an abusive alcoholic, and her mother sat by not being able to defend herself or her children. Obviously the author's childhood and the childhood of her brothers and sisters had an impact on their entire life and on her decision to turn back and fulfill Maurice's plea for help.

The descriptions in the book are very detailed and heartbreaking but also heartwarming. You will become a part of the lives of every character and you will feel their pain and happiness.

An Invisible Thread is the perfect title for this book. The book brought to the surface that we all have a connection to other human beings even though that connection may not be outwardly visible.

I truly enjoyed the book because of the honesty of feelings and of human kindness and human connection. This is a must read. Laura Schroff is a brave woman to reveal all this about her life, but it definitely will make you realize that no matter how small the gesture may be, we can make a difference for someone else. 5/5

134 of 142 people found the following review helpful.
more complex than you might initially think
By a long way from home
I was very torn throughout the reading of this book. Once I finished reading I turned to the user reviews on amazon to see what others thought. I found myself agreeing with both the positive and negative reviews which made me sit back and think long and hard about things.

What drew me to the book was not just the story, but the fact that the first editorial review stated that there was a "lack of excess sentimentality" As far as my tastes go, I don't like gratuitous sentimentality so that simple statement was a ringing endorsement. But the book IS sentimental, sometimes overly so, and, as other less favorable reviews have pointed out, there is a self congratulatory undercurrent at times. There were points in my reading of An Invisible Thread that I would have hurled the book across the room in frustration. The fact that I was reading on the kindle app for my android phone was probably the main reason for my restraint. The author was often the hero in her stories and I found myself wondering how much of a role revisionist history played in her retelling of her childhood and even certain scenes with Maurice. Or maybe not. There are already too many spoilers here in these user reviews so I am not going to give anything away, but suffice it to say that when Laura met Michael I was so angry I wasn't sure I would finish the book. Sure, she talked about her struggles with her decisions but I think I didn't always believe her. There we a few other instances of cowardice in the book that made me cringe but then I had to ask myself whether I would be any less cowardly in some of these emotionally difficult situations. Unfortunately, the answer is probably, NO. Edit* I should note, that along with what I am calling cowardice, Laura also showed incredible bravery and/or courage.

What I finally realized was that no matter how frustrated or angry I became at times, something was keeping me glued to this book. I am a truly terrible reader and always have been. Slow, distractible and easily bored. I can't remember the last book I read in one day. This one I read in half a day, losing precious hours of sleep as I dug deeper and deeper into the story. I loved Maurice. His indomitable spirit in the face of the overwhelming odds against him was just a joy to watch unfold. If I am honest with myself I would have to say that I ended up loving Laura as well. I didn't always like her but what she did for Maurice can't be denied no matter what you decide her motives were. Does it lessen the gift when the giver is also the receiver? I don't think so. Laura gave so much to Maurice and got so much back in return. I don't think we need to penalize her for the fact that in the process of saving Maurice, she managed to save herself as well. Isn't this precisely how so much of life works? Laura is multifaceted and as I turned pages I found myself with myriad emotions about her -- most of them quite positive. In fact, I would like to meet her and find out more of the story that didn't fit in these pages.

We humans are such complex creatures. To sum either one of these two characters up as either privileged, underprivileged, self serving, selfish, innocent, lovable, a victim, cowardly, a hero, a superhero, courageous, or sentimental, is to miss the fact that they are all of the above and then some. They are human. Flawed. Did Laura and Maurice always have pure motives for all the decisions they made? Probably not. I don't know anyone whose motives are always pure. Some reviewers question why Laura wrote the book if not for self congratulations. Maybe. Or maybe she knew she had a good story to tell. The fact that it painted her in a good light is just part of the tale. She DID do a good thing. Don't lose sight of that fact just because at times she seems to feel good about herself. She ought to feel good. It was a potentially miserably unhappy story with a warm and fuzzy ending (FYI - I usually hate warm and fuzzy endings). She did something that most people would not have done and she did it with conviction (and more than a bit of blind faith).

I don't know why Laura (and Alex) chose to write the book. I don't know whether she simply had a story to tell or whether she needed more self validation. I don't actually care WHY she wrote it. I care THAT she wrote it. It comes at a time in our lives when apathy is rampant and relationships are more fragile than ever. Was this a brilliant piece of writing? No, not at all really. Again, I don't really care. It was a simple story (albeit with some complex emotions) simply told. I enjoyed the journey and am finding the thoughtful aftermath more rich and colorful than I had expected.

Bottom line: I recommend the book.

125 of 133 people found the following review helpful.
I Wanted to Love It, But...
By Louisa M
God bless Laura Schroff and Maurice Maczyk. An Invisible Thread tells their story; Laura, a successful NY career woman, and Maurice, the young 11-year-old panhandler, whom she helped and befriended. Her initial act of kindness, and the lessons they taught one another and share here, are indeed inspiritional, and hopefully will help to change many lives for the better.

But parts of this book are difficult to read. The description of the welfare hotel where Maurice lived at one time is horrifying; the abuse that Laura and her family suffered at the hands of her alcoholic father is even worse. I must applaud the author for her honesty...although she does pat herself on the back a little too often, she also gives other people credit where due, and admits if she made a mistake.

There are many small details (for example, the brown bag lunches, and the bicycle) which add heart to the story, but then other chapters jump ahead abruptly, and suddenly the reader is two years in the future without knowing what transpired in between. Also, the editing could have been better...if Maurice is on a bike, he should "pedal" away, not "peddle," as it is spelled in the text.

For me, almost the saddest part of the book was the following sentence: "He (the suthor's husband) even relented and allowed me to invite Maurice to our home for Christmas one year." Allowed her? Wasn't it her home also? It is obvious that Laura and Maurice have always had a special relationship; what a pity that they were forced to miss any time together at all.

The photo inserts are helpful, and a nice addition, as is the follow-up interview with the author.

Ms. Schroff states that the book idea grew from a magazine article. It is a good book, but not great. Borrow it from the library, and use the money you would have spent on a purchase to perform your own act of kindness. I wish Laura, Maurice, and their entire extended family all the best.

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Selasa, 23 Desember 2014

[L436.Ebook] Free PDF Unwanted Mate: Soul Mates Book 2, by Diana Persaud

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Unwanted Mate: Soul Mates Book 2, by Diana Persaud

Unwanted, despised by his own pack, Zane hopes that one day he will find love and acceptance from his mate. His hope is quickly shattered when he meets Jackie, his mate.

Jackie is shocked to discover that her mate is a member of the enemy pack and her brother’s murderer. Jackie must choose whether to forgive Zane or fight her wolf’s growing compulsion to mate with him.

Will Zane ever find love and acceptance or is he destined to be alone?

This steamy novella is intended for Mature audiences.

  • Sales Rank: #43675 in eBooks
  • Published on: 2013-10-02
  • Released on: 2013-10-02
  • Format: Kindle eBook

About the Author
Diana Persaud is a self published author of erotica. She has written several erotic novellas and is currently working on a dozen more. Diana has a degree in science from Stetson University. She gave up teaching to pursue her dream of being a writer of romance novels. The inspiration of her first erotic novella, Lucien's Mate came from her own experiences. Like Lanie, the central female character in Lucien's Mate, Diana also heard warning bells when she first met her husband. After a much longer pursuit, she finally agreed to be his mate. Share your thoughts: Diana would love to hear what you think of her novellas. Please leave a review: *On the website where you purchased this book. *On GoodReads, Shelfari or other Book Club posts *Tweet about it *Mention it on your Blog or website Connect with Diana www.facebook.com/diana.persaud.146 Blog http://dianapersaud1.wordpress.com/ Follow Diana on Twitter to get advanced tweets about Promotions and New Releases: @LuciensMate Don't forget to check out her webpage dedicated to Lucien and his pack, dianapersaud.weebly.com.

Most helpful customer reviews

4 of 4 people found the following review helpful.
I really liked the book - it is too short at 46 pages for 1.99
By Redread
I try not to think about how short this was. I knew how long it was going into the book. BUT oh what an awesome book it could have been.

Jackie - she's well, I really don't know how to explain her. There wasn't enough about her in the book. She could have been anyone. And the big plot was her brother died by Zane's hand. She was mad that Zane had murdered him, but it really didn't say anything about her brother's relationship to her. And I mean nothing. The reader doesn't know if she liked him. If he played with her when she was young. If he was abusive to her... You get the picture. She doesn't seem sad that he died.

Zane - Well I just loved Zane. He carried the book. We learn quite a bit about his background. But... As you've noticed, I'm saying... We could have heard more. How did he get to be a great tracker? What did happen when Jackie's brother died - from Zane's point of view.

The love story - Ummm... There isn't one. Eventually Jackie just loves Zane because her wolf does. And she sees him fight and things he probably murdered her brother in self defense.

Another thing that bugged me. When referring to Zane when he is a wolf. The text would say "Zane Wolf". So OK we know he's a wolf so why not just say Zane?

I did buy the rest of the books in the series. Even though they are short without enough details and story, I liked them enough to want to read more.

2 of 2 people found the following review helpful.
second verse, same as the first
By kathy harrington
Again, not a bad read, but shorter than the first book. This was truly an underwolf (sorry fur the pun) story. Lots of hot sex too!

0 of 0 people found the following review helpful.
So disappointing.
By Akbookwormaddict
The first book was short and felt a little rushed, but was mostly a great book so I had expectations for this book to be better. The summary was intriguing but the actual book? It was choppy, sloppy, rushed. The sex scenes struck me as quantity over quality and the supposed plot twists and the new characters in this book were forced. The only well written areas of the book were the ones including Lucien and his mate (NOT including the birth scene at the end which was once again sloppy and forced) Glad this book was only 0.99 but that is still too much money. This book needs a SERIOUS overhall. Will give this series one more chance and I WILL be returning this book if I can.

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Rabu, 10 Desember 2014

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Through clear and comprehensive grammar explanations, extensive practice exercises, and lively communicative activities, Grammar Dimensions provides students with the language skills they need to communicate accurately, meaningfully, and appropriately.

  • Sales Rank: #117395 in Books
  • Brand: Brand:
  • Published on: 2006-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .60" w x 8.00" l, 1.75 pounds
  • Binding: Paperback
  • 432 pages
Features
  • Used Book in Good Condition

Review
1. Simple Present 2. Present Progressive and Simple Present 3. Talking About the Future 4. Asking Questions 5. Modals of Probability and Possibility 6. Past Progressive and Simple Past with Time Clauses 7. Similarities and Differences 8. Measure Words and Quantifiers 9. Degree Complements 10. Giving Advice and Expressing Opinions 11. Modals of Necessity and Prohibition 12. Expressing Likes and Dislikes 13. Present Perfect with Since and For 14. Present Perfect and Simple Past 15. Present Perfect Progressive 16. Making Offers with Would You Like 17. Requests and Permission 18. Used To with Still and Anymore 19. Past Perfect 20. Articles 21. Articles with Names of Places 22. The Passive 23. Phrasal Verbs 24. Adjective Clauses and Participles as Adjectives 25. Conditionals Appendices

About the Author
Diane Larsen-Freeman is Professor Emerita of Education, Professor Emerita of Linguistics, and Former Director of the English Language Institute at the University of Michigan, Ann Arbor. She is also a Distinguished Senior Faculty Fellow at the School for International Training in Brattleboro, Vermont. Dr. Larsen-Freeman has been a conference speaker in over 60 countries of the world and has published over 100 articles in her areas of interest. Her Heinle/Cengage titles include "The Grammar Book: Form, Meaning, and Use for English Language Teachers" (third edition, 2015, co-authored with Marianne Celce-Murcia), "From Grammar to Grammaring" (2003, authored), and the fourth edition of "Grammar Dimensions: Form, Meaning, and Use" (2007, Series Director). From 1980-1985, Dr. Larsen-Freeman was Editor of the journal "Language Learning." In 1997, Dr. Larsen-Freeman was inducted into the Vermont Academy of Arts and Sciences. In 1999, she was selected by ESL Magazine as one of "the ESL pioneers." In 2000, she received the lifetime achievement award from Heinle & Heinle.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Five Stars
By Zhibin.Ma
Very good book, and I like it

1 of 1 people found the following review helpful.
Five Stars
By Wang
Use it to learner grammar

1 of 1 people found the following review helpful.
Four Stars
By nichcha
It's a good book.

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Sabtu, 06 Desember 2014

[C643.Ebook] PDF Ebook Ghost Rider Vol. 2: The Life & Death of Johnny Blaze: Life and Death of Johnny Blaze v. 2 (Ghost Rider (Marvel Comics)), by Daniel Way

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Ghost Rider Vol. 2: The Life & Death of Johnny Blaze: Life and Death of Johnny Blaze v. 2 (Ghost Rider (Marvel Comics)), by Daniel Way

How did Johnny Blaze end up in Hell, anyway? It's simple, really: He died. And when he died, his eternal soul - long promised to Hell in exchange for "saving" Crash Simpson - descended into the Pit, taking the Ghost Rider along with it. This is the story of how and why it all happened, courtesy of writer Daniel Way and horror-comic legend Richard Corben. Plus: In a small town northeast of Chicago, people are losing their heads... literally. The sheriff of this sleepy little town firmly believes he's found the culprit - a scruffy drifter found sleeping in the bushes with blood on his clothes and no believable explanation for where he was and what he was doing when the murders occurred. He even gave the sheriff a fake name: "Johnny Blaze." But the identity of the true culprit is even more macabre: Lucifer has taken up residence in a new host - a casualty of Civil War who's bound to raise eyebrows! Collects Ghost Rider (2006) #6-12.

  • Sales Rank: #309324 in eBooks
  • Published on: 2007-08-22
  • Released on: 2013-06-26
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Losing Ground
By J
Daniel Way continues his run on Ghost Rider here in this second volume of his GR work.

Pretty quickly it becomes apparent that Way has a major problem happening. The particular problem is the fact that Way hasn't figured out how to make Johnny Blaze the man a very interesting person. Way's Lucifer is entertaining enough and he seems to be able to insert solid supporting characters (such as the small town Illinois sheriff that pops up here), and even his Ghost Rider is starting to improve, but Blaze remains a dour (and rather dense) bore. By the end of the eleventh issue Johnny is having the same problems and going about solving them in the same unsuccessful ways. It gets monotaneous and, at times, is a bit of a chore to read. If Way doesn't start to give Blaze some development, evolution or forward momentum soon, the book will continue to slide downward.

The art here is handled by Richard Corben and the team of Mark Texeira/Javier Saltares. Corben's contribution is, simply, distracting and really pulls Way's weaknesses as a writer into focus. One notices that without Texeira there really isn't as much to prop the book up as appears. Texeira and Saltares really seem to make the book what it is. They just make it work. Their art gives it a distinctness and flavor that Way's writing doesn't. It's quite southern gothic-y. Even when Way does a bit of a Marvel Civil War tie-in, Tex/Saltares' art makes it seem as if the title never leaves its self-contained world.

As in the previous volume, Ghost Rider fights Lucifer with much punching and kicking. Texeira and Saltares' art makes it work, but, all in all, the title is already seeming like it's running out of steam.

1 of 2 people found the following review helpful.
More boring than anything else
By N. Durham
Daniel Way's re-launched run on Ghost Rider hasn't been anything special, and The Life & Death of Johnny Blaze is no different. Here, we learn some more about Johnny's time in Hell, before he finds himself accused of some vicious murders. Besides some attempts to tie into marvel's mega Civil War event, that's really all there is to this second TPB, which continues Way's unbelievably boring take on the character. Even though the TPB itself isn't that long, it feels like it is, mostly thanks to Way, who helped make his runs on various other mainstream Marvel titles like Wolverine become yawn-fests. What is worth noting about The Life & Death of Johnny Blaze is that this TPB features some artwork from the legendary Richard Corben, who it is always a pleasure to see in action. The usual art team of Javier Salteres and Mark Texiera are here too, and they're work is about what you'd expect by now, which isn't vad in the least. Other than the art by Richard Corben, there's not really much reason to check this out unless you've been a fan of Way's take on Ghost Rider. Other than that though, this can be avoided.

1 of 2 people found the following review helpful.
not that great
By T. D. Burns
The story has a few good moments, but is overall forgetable. The artwork is definately not in the same category as the other novels in this series. Get it only to complete the series if you must.

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Jumat, 05 Desember 2014

[A609.Ebook] Download Ebook Giving Up the Ghost : A Memoir (John MacRae Books), by Hilary Mantel

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Giving Up the Ghost : A Memoir (John MacRae Books), by Hilary Mantel

In postwar rural England, Hilary Mantel grew up convinced that the most improbable of accomplishments, including "chivalry, horsemanship, and swordplay," were within her grasp. Once married, however, she acquired a persistent pain that led to destructive drugs and patronizing psychiatry, ending in an ineffective but irrevocable surgery. There would be no children; in herself she found instead one novel, and then another.

  • Sales Rank: #595563 in Books
  • Brand: Mantel, Hilary
  • Published on: 2004-09-01
  • Released on: 2004-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.23" h x .66" w x 5.49" l, .50 pounds
  • Binding: Paperback
  • 240 pages

From Publishers Weekly
As she approaches midlife, Mantel applies her beautiful prose and expansive vocabulary to a somewhat meandering memoir. The English author of eight novels (The Giant, O'Brien; Eight Months on Ghazzah Street; etc.) is "writing in order to take charge of the story of my childhood and my childlessness; and in order to locate myself... between the lines where the ghosts of meaning are." Among the book's themes are ghosts and illness, both of which Mantel has much experience with. She expends many pages on her earliest years, and then on medical treatments in her 20s, but skips other decades almost entirely as she brings readers up to the present. At age seven she senses a horrifying creature in the garden, which as a Catholic she concludes is the devil; later, houses she lives in have "minor poltergeists." The first and foremost ghost, though, is the baby she will never have. By 20, Mantel is in constant pain from endometriosis, and at 27, after years of misdiagnosis and botched treatment, she has an operation that ends her fertility. Her pains come back, she has thyroid problems and drug treatments cause her body to balloon; she describes these ordeals with remarkably wry detachment. Fans of Mantel's critically acclaimed novels may enjoy the memoir as insight into her world. Often, though, all the fine detail that in another work would flesh out a plot-such as embroidery silk "the scarlet shade of the tip of butterflies' wings"-has nowhere to go.
Copyright 2003 Reed Business Information, Inc.

From The New Yorker
This bleak memoir by a prolific British novelist recounts her upbringing in the North of England in the nineteen-fifties and sixties. Mantel's domineering stepfather has contempt for her intellectual aspirations and for her constant nausea and migraines. When, at college, she takes her symptoms to a doctor, he prescribes antidepressants and sends her on to a psychiatrist, who, in turn, suggests that she give up her studies to work for her mother selling dresses. Finally, at twenty-seven, she is diagnosed with severe endometriosis. Her uterus is removed, and hormone replacements cause extreme weight gain. For most of her life, she has struggled with emaciation, but strangers increasingly assume she is pregnant, now an impossibility. While Mantel's prose shimmers with suppressed anger, the reader might have preferred a story more plainly shaped, and one that gave some sense of the growth of her remarkable imagination.
Copyright © 2005 The New Yorker

From Booklist
With a harsh wit reminiscent of Mary McCarthy, prizewinning novelist Mantel writes about growing up Catholic in England, about her family secrets, school, work, and marriage, and about the chronic, excruciatingly painful illness that hit her at the age of 27. Without nostalgia, she remembers her childhood in a village community: "Every person oversaw the affairs of the next; and sniggered about them." Her self-mockery is just as entertaining, and she's honest about how hard it is to remember: "you can't make sense of childhood, only report it as it felt." She's enraged against the medical establishment that for years treated her physical symptoms as female neurosis caused by overambition. Yet with the fury and farce, she also writes with lyrical simplicity about loss. She remembers missing her dad after the family breakup: "He was never mentioned after we parted: except by me, to me. We never met again." Women's book groups will want this, and so will writers trying to tell their stories. Hazel Rochman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

26 of 27 people found the following review helpful.
glimpses of otherness
By LitCrit101
In her memoir, Giving up the Ghost, Hilary Mantel obliquely tackles a subject much debated in psychoanalytical circles of a century ago and revisited by feminist literary critics from 1968 onward: To what degree is female ambition and achievement in the arts ( or any field, for that matter) a compensation for an unfertile womb, and in what way is artistic creativity in women related to mental instability and even madness? In our post-feminist era such suggestions sound outrageous, reactionary. We are accustomed to thinking that we can and will have it all. But slip back fifty, then one hundred years or more and examine the lives of great women writers and poets. Virginia Woolf insisted that without leisure time, education, private income, and a space to write, a woman could not produce literature, hence the demands of motherhood and marriage might be a serious obstacle. Emily Dickinson, a spinster, withdrew from the world, Charlotte Bronte died of a pregnancy related illness with her unborn first child, Elizabeth Bishop was gay, Sylvia Plath found both marriage and motherhood devastating. Mantel reminds us that in her formative years, a time not so long ago, women were expected to stay home and to become homemakers, and though England already had a long tradition of penwomen, it was no easy journey to become a writer.
This memoir is about how a poor, "neverwell" child of Irish origins, from a disadvantaged family became one of the world's most celebrated novelists, twice winning the Man Booker prize, an unprecedented feat. Home was drab lodgings without a bathtub, with few books, where her mother maintained an unusual ménage living, for a time, with both her husband and lover. The latter would be the one to rescue Hilary and her family, giving them the dignity of a real home and a new name. At school this pale, phlegmatic child was at times picked on, grudgingly admired, avoided. As she fashions her story, she gives us echoes of other stories we know and love. The rage that bubbles within her at school recalls Jane Eyre's ( and indeed she claims, Jane Eyre is the story of all women writers). Her descriptions of the strange visions that sometimes inhabit her psyche echo moments of Turn of the Screw, in which she is both the governess and the malignant child, other moments, such as the eerie revelation of evil she glimpses in the yard might have been drawn from Stephen King filtered through Mary Butts.
Ever since her childhood, she has been subject to visions, "seeing things" that "aren't there," she confesses, well aware that the inclusion in quotes somehow makes these ghostly presences more explainable or more acceptable to contemporary minds. Like Henry James, she never lets us know her own explanation for the ghosts she regularly sees: are they metaphors, the product of ophthalmic migraines, or projections of her own psyche? She suggests all these possibilities, tying in hormonal issues as a further explanation. The heart of Mantel's memoir focuses just on these issues, and the debilitating condition with which she battled for years, undergoing an early hysterectomy. The surgery turned out to be useless, as replacement estrogen worsened her symptoms and led to uncontrollable weight gain. The medical establishment had no remedy but was convinced she was the problem, not her disease. For many years she was given pain killers, antidepressants, antipsychotic drugs. Struggling to come to grips with herself, her pain, her changing and changed body, she starts writing again, but her doctors do not approve. Why not she asks. The chilling reply is simply "because." This was all happening ten years after Germaine Greer published The Female Eunuch. But luckily for us, Mantel kept at it, six years later published and was paid for her first story. At one point, she realized that she was unconsciously waiting for children who would never come. Empty bedrooms, an overfilled pantry, presses packed with sheets for too many beds were the telltale signs. Once she brought her mourning to the light, the unborn ghosts of her womb became novels.
There is no self-pity in this memoir, which is poignant, unexpectedly funny at times. If anything there is too much self-control, and even minute traces of self-loathing. In handling the sections of her childhood, she shapes the story to the child's half understandings. The male figures, father, step-father, brothers, husband, are at best presences. Yet every sentence, every phrase in this book is breathtaking, artfully crafted, subtly shaped. We almost forget the message given at the beginning. If you want to be a writer " Rise in the quiet hours of the night, prick your fingertips, and use the blood for ink." But what we have read has been written in blood, product of pain, sacrifice, self-control, distance from oneself and from one's own ghosts. A real achievement.

25 of 26 people found the following review helpful.
Fascinating glimpse into the life of a great contemporary writer
By Penny
I love the way Hilary Mantel writes. Her imagery and descriptions are so true, so evocative, sometimes I need to put on a sweater or snuggle deeper into the duvet just to cope. She strings me out and keeps me roped in. I have no other way of expressing just how fine her writing feels to me. When I'm reading her work, I feel that she has tapped into the great reservoir--the man-made basin brimming with pain and suffering, dreams and devils. This book is haunting and grim--yet one identifies so strongly with the author, risk and all.

12 of 12 people found the following review helpful.
intimate and engrossing
By carolinaislandgirl
This memoir for me was what I look for in a memoir: revealing, analytical, self-deprecating and helping the reader come to know the author as a person. When the memoir is written by someone who has only been known to the reader as an admired author, but not at all on a personal level, and the memoir draws the character of the writer so indelibly, it can only be a very satisfying read. And that's exactly what it was for me. I wondered who in the world could write the novels she has written and now I find out a bit about the woman, her interior world and her life, in a very well wrought piece.

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Dealing with People You Can't Stand: How to Bring Out the Best in People at Their Worst, by Brinkman / Kirschner

  • Sales Rank: #9536511 in Books
  • Published on: 1994
  • Binding: Paperback

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[S659.Ebook] Fee Download Celtic Art: The Methods of Construction (Dover Art Instruction), by George Bain

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Celtic Art: The Methods of Construction (Dover Art Instruction), by George Bain

The construction principles of Celtic art were re-discovered in the middle of the 20th century by George Bain. Until his writing, the intricate knots, interlacings, and spirals used in illuminating The Book of Kells and in decorating craftwork and jewelry seemed almost impossible, "the work of angels." In this pioneering work, George Bain shows how simple principles, no more difficult than those used in needlecraft, were used to create some of the finest artistic works ever seen. He also explains how you can use these principles in re-creating artifacts and in creating your own Celtic designs for art and craft work or even for recreational use.
Step-by-step procedures carefully introduce the simple rules and methods of Celtic knot work and the well-known designs from the great manuscripts and stone work. Later chapters build up to complex knot work, spiral work, and key pattern designs, with special coverage of alphabets and the stylized use of animals, humans, and plants. Altogether over 225 different patterns are presented for your use, with hundreds of modification suggestions, 110 historical and modern artifacts showing designs in use, a great number of letters including six complete alphabets and 25 decorative initials, and a number of animal and human figures used in the original Celtic works.
Artists, students, craftspeople, even children can work with these patterns and instructions for creating dynamic designs for use in leather work, in embroidery and other needle work, in metalwork, jewelry making, card design, borders, panels, illuminations, and in countless other ways. Mathematicians will find a great deal of pleasure in the geometric principles on which the patterns are based. Art historians and others interested in studying Celtic art will find a great number of outstanding art works and the best presentation in English for understanding Celtic design.

  • Sales Rank: #106336 in Books
  • Published on: 1973-06-01
  • Released on: 1973-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.75" h x 9.00" w x .25" l, 1.14 pounds
  • Binding: Paperback
  • 160 pages

From the Back Cover

The construction principles of Celtic art were re-discovered in the middle of the 20th century by George Bain. Until his writing, the intricate knots, interlacings, and spirals used in illuminating The Book of Kells and in decorating craftwork and jewelry seemed almost impossible, "the work of angels." In this pioneering work, George Bain shows how simple principles, no more difficult than those used in needlecraft, were used to create some of the finest artistic works ever seen. He also explains how you can use these principles in re-creating artifacts and in creating your own Celtic designs for art and craft work or even for recreational use.
Step-by-step procedures carefully introduce the simple rules and methods of Celtic knot work and the well-known designs from the great manuscripts and stone work. Later chapters build up to complex knot work, spiral work, and key pattern designs, with special coverage of alphabets and the stylized use of animals, humans, and plants. Altogether over 225 different patterns are presented for your use, with hundreds of modification suggestions, 110 historical and modern artifacts showing designs in use, a great number of letters including six complete alphabets and 25 decorative initials, and a number of animal and human figures used in the original Celtic works.
Artists, students, craftspeople, even children can work with these patterns and instructions for creating dynamic designs for use in leather work, in embroidery and other needle work, in metalwork, jewelry making, card design, borders, panels, illuminations, and in countless other ways. Mathematicians will find a great deal of pleasure in the geometric principles on which the patterns are based. Art historians and others interested in studying Celtic art will find a great number of outstanding art works and the best presentation in English for understanding Celtic design.

About the Author
George Bain clearly demonstrated in his classrooms, to judge from pupils' work here illustrated, hat through practice and application in his methods of constructing decoration, anyone with the initial interest can release this innate interest to beautiful and mark out the impress of their individuality that has been a quality in man since the Neolithic times of the cave artist and still finds expression through the subconscious outlines of the phone-pad doodler.

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112 of 117 people found the following review helpful.
Indispensible, undecipherable?
By Kindle Customer
Among those in my acquaintance who are fond of Celtic art, George Bain's Celtic Art is the one which most buy first. I did. Then I read it and found that some of his instructions (particularly for creating knotwork) seem totally off-the-wall and totally indecipherable. However, for some reason, he seemed to be the only one who has ever come up with a way to recreate impossibly complex knotwork panels, and do more than just plain fretted knotwork. Fear not, Dear Reader! If you follow his instructions, practice the designs as he shows them, you will ultimately discover what he is trying to say. And when you do, the entire world of complex, bewildering and magical knotwork will open up to you.
However, knotwork is not the only type of art that Bain covers in this book. He also analyzes fretwork (mazes), spirals and zoomorphic forms (animal and human forms which can sometimes even be interlaced), as well. These, comprise the entire corpus of form used in the great books of Celtic and Anglo-Saxon art which were created in the 6th through 8th centuries.
Let me also put a good word in for Bain's survey of Hiberno/Anglo-Saxon calligraphy as well, in which he assembles many of the fanciful letter forms for which this form of writing is known.
I do own all of Aidan Meehan's books (and also recommend them), but if you can only afford to buy one book, buy this one. Then, as you can afford others, branch out into Meehan (and even Bain's son, Iain has written a book on knotwork!), and begin purchasing surveys of the Books of Kells and Lindisfarne so that you can study from the true masters.
Enjoy!

31 of 33 people found the following review helpful.
Beginning to Advanced Celtic Pattern Construction
By hamsterdance
Not too long ago I got the idea for a series of paintings with a celtic-medieval themed look. This book was one of the two books on celtic designs I bought. The type of patterns shown are very diverse and range from simple borders, to spirals, zoomorphs (animal-designs), calligraphy to examination of designs from Lindisfarne and the Book of Kells. It is also the most extensive of any of the books on this subject that I've seen. The only drawback is that the method for constructing these designs is not easy. As one earlier reviewer stated, the main method is to set up a grid pattern, draw out every line then erase the ones not needed. There are other books with simpler, better step-by-step details for constructing celtic designs. However, no other single book covers such a wide range as this one. It also covers a lot of complex designs and shows how to recreate them that no other celtic pattern books demonstrate. Quite a lot of the history of these designs is covered too. For anyone who can only afford one book on this subject this one will be all they'll ever need.

18 of 20 people found the following review helpful.
Good intro to Celtic Art
By R. Clampitt
I can't add much more than the last previewer. But it is a good introduction to Celtic Art and patterns, plus he covers its history and shows you how to even difficult patterns. Drawing Celtic Artwork is not easy, a gifted artist and craftsman Bain makes it look easy but its not. Howeverf if you practice the basic patterns you can get pretty good at it in a reasonable period of time. I have several of Aidan Meehan's books and this one is by far the best for beginners imho. Use Meehans works when you can replicate a good many of the patterns found here.
It is also a fine resource for the more elaborate patterns which are not covered very well in other works. Many of these patterns can be transferred to leather, clay etc, you name it.
Overall if you only get one book on Celtic Art get this one and with a bit of practice your effort will be rewarded.

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